Ciprì and Maresco are fierce critics of post-modern society. They bear witness to the colonization of the imagination attributable in part to the omnipresence of mass communications and the globalization of neo-capitalist values. Their works, scatological in the literal but especially in the metaphorical and etiological sense, denounce social institutions and practices thought to be at the root of injustice, inequality and criminality.

In the heart of Piazza Florio, dedicated to the famous family of entrepreneurs, a meeting place for all ages and social classes, stands Tanam’s open-air home. From there, he listens to and observes us, applying “good manners” to aesthetics and behavior. As he ties his tie, he faces the threat of eviction, guarding our waste and caring for the square, attempting to be part of the society surrounding his daily life. Tanam’s gestures and gaze, where only a flowerbed divides private from public, reveal the paradox of social norms.

暂无剧情简介

暂无剧情简介

Already famous, at the top of his career, owner of his own school of etiquette, Crô sees himself alone and without a family. Lonely and vulnerable, he ends up living at the whim of supposed family, Orlando, Marinalva, Luane and Nando, whose intentions are far from the best. With the inseparable Geni, Magda and Jurema by his side, Crô will embark on an adventure to find his true family while constantly avoiding the venom of the top columnist Carlota Valdez.

We don't have an overview translated in English. Help us expand our database by adding one.

Ofelia is the daughter of photographer Miguel and of deceased circus artist Lea. When her father is hospitalised with a nervous breakdown, she decides to find out the reason and in doing so discovers the truth about the relationship between her parents and the true fate of her mother.

A talk-show about general familiar problems.

Documentary about the life of Portuguese Fado singer Amalia Rodrigues (1920-1999) with an interview and collection of footage from performances throughout her long career.